Zoya Vladimirovna Kozlovskaya
The poem «On the Wings of Autumn...», illustrated by Zoya Kozlovskaya, turned out to be unique, song-like, thoughtfully tender, and sad, much like the songs and romances created from the texts of Elena Kamyshnaya. These works amaze with their multifaceted nature, fragility, and that poignant soulfulness which, since ancient times, has compelled artists to work tirelessly and, through constant refinement, invest truly titanic effort into selecting various materials, thereby achieving the astonishing beauty and unique individuality of their creations.
In the enamel work «On the Wings of Autumn...», we notice decorative-symbolic images and painterly, refined allegories. It is in Zoya Kozlovskaya's enamels that we encounter the «mourning autumn» and see the «eyes of the native land».
In the enamel work «On the Wings of Autumn...», we notice decorative-symbolic images and painterly, refined allegories. It is in Zoya Kozlovskaya's enamels that we encounter the «mourning autumn» and see the «eyes of the native land».
«On the Wings of Autumn»
Copper, hot enamel, 43x84, 2012
«On the Wings of Autumn»
Copper, hot enamel, 43x84, 2012.
The poem «On the Wings of Autumn...», illustrated by Zoya Kozlovskaya, turned out to be unique, song-like, thoughtfully tender, and sad, much like the songs and romances created from the texts of Elena Kamyshnaya. These works amaze with their multifaceted nature, fragility, and that poignant soulfulness which, since ancient times, has compelled artists to work tirelessly and, through constant refinement, invest truly titanic effort into selecting various materials, thereby achieving the astonishing beauty and unique individuality of their creations.
In the enamel work «On the Wings of Autumn...», we notice decorative-symbolic images and painterly, refined allegories. It is in Zoya Kozlovskaya's enamels that we encounter the «mourning autumn» and see the «eyes of the native land».
In the enamel work «On the Wings of Autumn...», we notice decorative-symbolic images and painterly, refined allegories. It is in Zoya Kozlovskaya's enamels that we encounter the «mourning autumn» and see the «eyes of the native land».
Zoya Vladimirovna Kozlovskaya
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«On the Wings of Autumn»
To Anne Marli
On autumn's wings, the cranes are calling—
Sad is the song of parting embraces.
There is no distance for love so vast
That it could forget the eyes of the native land.
Sad is the song of parting embraces.
There is no distance for love so vast
That it could forget the eyes of the native land.
The rain will hum its simple, plain refrain,
And drum with drops across the puddles' glass,
Cold rain, the harbinger of winter's chill,
By habit wise, and just as seasons pass.
And drum with drops across the puddles' glass,
Cold rain, the harbinger of winter's chill,
By habit wise, and just as seasons pass.
Let bells ring out for memories of the past,
Their chime is echoed by the mourning fall,
And silvered poplars, answering the call,
Have gathered leaves to grace the final ball.
Their chime is echoed by the mourning fall,
And silvered poplars, answering the call,
Have gathered leaves to grace the final ball.
Yet there is no sorrow, the flock will return,
The homeward path is centuries ordained.
In this brief life, irreversible and fleeting,
Our kindred blood calls out through memory's keeping.
The homeward path is centuries ordained.
In this brief life, irreversible and fleeting,
Our kindred blood calls out through memory's keeping.
On autumn's wings, the cranes are calling—
Sad is the song of farewell embraces.
There is no distance for love so vast
That it could forget the eyes of the native land!
Sad is the song of farewell embraces.
There is no distance for love so vast
That it could forget the eyes of the native land!
View painting/Collapse
«On the Wings of Autumn»
To Anne Marli
On autumn's wings, the cranes are calling—
Sad is the song of parting embraces.
There is no distance for love so vast
That it could forget the eyes of the native land.
Sad is the song of parting embraces.
There is no distance for love so vast
That it could forget the eyes of the native land.
The rain will hum its simple, plain refrain,
And drum with drops across the puddles' glass,
Cold rain, the harbinger of winter's chill,
By habit wise, and just as seasons pass.
And drum with drops across the puddles' glass,
Cold rain, the harbinger of winter's chill,
By habit wise, and just as seasons pass.
Let bells ring out for memories of the past,
Their chime is echoed by the mourning fall,
And silvered poplars, answering the call,
Have gathered leaves to grace the final ball.
Their chime is echoed by the mourning fall,
And silvered poplars, answering the call,
Have gathered leaves to grace the final ball.
Yet there is no sorrow, the flock will return,
The homeward path is centuries ordained.
In this brief life, irreversible and fleeting,
Our kindred blood calls out through memory's keeping.
The homeward path is centuries ordained.
In this brief life, irreversible and fleeting,
Our kindred blood calls out through memory's keeping.
On autumn's wings, the cranes are calling—
Sad is the song of farewell embraces.
There is no distance for love so vast
That it could forget the eyes of the native land!
Sad is the song of farewell embraces.
There is no distance for love so vast
That it could forget the eyes of the native land!
Other works by the artist
Her works are mesmerizing and evoke profound artistic interest. Kozlovskaya extensively employs the principle of the decorative spot in her work, boldly experimenting with color and form.
Cloisonné enamel, the technique in which Zoya Kozlovskaya works, is one of the most complex enamel techniques in terms of its manufacturing process.
Other works by the artist
Her works are mesmerizing and evoke profound artistic interest. Kozlovskaya extensively employs the principle of the decorative spot in her work, boldly experimenting with color and form.
Cloisonné enamel, the technique in which Zoya Kozlovskaya works, is one of the most complex enamel techniques in terms of its manufacturing process.
Zoya Vladimirovna Kozlovskaya
Artist, enamelist.
Zoya Vladimirovna Kozlovskaya works in the techniques of ceramics and cloisonné enamel. She was born on November 10, 1947.
She is a member of the Creative Union of Artists of Russia and a member of the International Federation of Artists under UNESCO.
She has been awarded the badge «For Achievements in Culture» and a bronze medal from the Creative Union of Artists of Russia. She participates in All-Russian and international exhibitions, international enamel symposiums, and design festivals. Her works are held in state museums in Russia and in collections abroad.
She is a member of the Creative Union of Artists of Russia and a member of the International Federation of Artists under UNESCO.
She has been awarded the badge «For Achievements in Culture» and a bronze medal from the Creative Union of Artists of Russia. She participates in All-Russian and international exhibitions, international enamel symposiums, and design festivals. Her works are held in state museums in Russia and in collections abroad.
Zoya Vladimirovna Kozlovskaya
Artist, enamelist.
Zoya Vladimirovna Kozlovskaya works in the techniques of ceramics and cloisonné enamel. She was born on November 10, 1947.
She is a member of the Creative Union of Artists of Russia and a member of the International Federation of Artists under UNESCO.
She has been awarded the badge «For Achievements in Culture» and a bronze medal from the Creative Union of Artists of Russia. She participates in All-Russian and international exhibitions, international enamel symposiums, and design festivals. Her works are held in state museums in Russia and in collections abroad.
She is a member of the Creative Union of Artists of Russia and a member of the International Federation of Artists under UNESCO.
She has been awarded the badge «For Achievements in Culture» and a bronze medal from the Creative Union of Artists of Russia. She participates in All-Russian and international exhibitions, international enamel symposiums, and design festivals. Her works are held in state museums in Russia and in collections abroad.